Lojazzo is a jazzo, a stone pen for the flocks of the transhumance, grown into a village: eleven trulli and a masseria, all laid dry. And like Janus it has two faces. One looks back: three thousand years of Messapians, specchie and shepherds, the history held in the stone. The other looks ahead: the stories that have lived here since 2003, brought by those who act, project, play, write and invent here. In Italian, storia is one word for both. Here it is one thing.

























![“[Non-]artificial intelligence” · 2018](img/storia/locandine/2018.jpg)


At the masseria we have written screenplays, plays and poems, and shot shorts in 3D and virtual reality. One of them, Tender Tinder, was selected for the David di Donatello awards. In 2017 those shorts left the masseria and became Papagna Experience: Italy's first invisible museum, scattered through the streets of Ceglie Messapica, to be found on foot.
Papagna Experience →
The trulli came first, around the pen where the flocks of the Tratturo delle Vacche, the transhumance route from Abruzzo to the Salento, stopped for the night: eleven of them, the oldest three hundred and fifty years old. Then, two centuries ago, the masseria. All of the same limestone, much of it laid dry, without mortar: the walls stand by weight and interlock, the domes by overlapping slabs. That limestone is the floor of a sea from a hundred million years ago.

Great mounds of dry stone, made more than twenty-five centuries ago: lookouts, tombs, shelters? Archaeologists have argued about them for over a century. Ceglie has the highest concentration in Italy, and some lie within the masseria's twenty-four hectares, along the four-kilometre loop you can walk or cycle. We don't touch a single stone.
The search for the specchie →
















For years we drew it on our posters without knowing. Then one day Nicola opens Google Maps and sees it: the low walls, the trulli and the masseria form a heart.
The heart-shaped courtyard →where stories are invented.
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